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Friday, November 23, 2007

Classy Classical CD Review: The 5 Browns


The 5 Browns are rising stars in the music world, appealing not only to Classical Music fans but also to other music lovers as well. The group is made up of five siblings, all of which attended Julliard. On their latest CD, Browns in Blue, we get a chance to hear them in music ranging from classical to jazz. There's even a track with The 5 Browns playing along through the magic of technology with Dean Martin singing Everybody Loves Somebody.

Yet my favorite tracks on this CD remain the ones with solo performances by the Browns. This includes a beautiful interpretation of Brahms' most famous Intermezzo by Melody and a wonderful performance of Chopin's Nocturne in C minor by Gregory.

While the tracks that contain all 5 Browns playing are typically exciting and fresh, the Classical purist may be a bit offended. For instance, in the opening 18th Variation from Rhapsody on a Theme of Paganini by Rachmaninoff, the addition of glissandi and other excessive notes at times seems to obscure the beautiful melody that has made the work so famous. However, the excerpt of An American in Paris by Gershwin with Chris Botti on trumpet is not to be missed and one of the standout tracks on the disc. All in all, I fully recommend this CD as I quite enjoyed listening to it and I'm sure you will as well.

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Comments on "Classy Classical CD Review: The 5 Browns"

 

Blogger Music Eloquence said ... (1:17 PM, January 09, 2008) : 

I love these guys. I didn't know they'd come out with another cd. Thanks for the review also. I'm adding you as a link to my blog.

 

Blogger Seattle Opera said ... (7:32 PM, March 24, 2009) : 

Love the blog!

When you get a free chance, check out Seattle Opera's New Blog!

 

Anonymous Classical Music Concert Listings said ... (8:51 AM, September 19, 2009) : 

Thanks for this review. Much appreciated.

 

Anonymous Walt Ribeiro said ... (2:31 PM, December 03, 2009) : 

The 5 browns are doing a fantastic job. Sounds like their new album is pretty good!

 

Anonymous audio visual hire melbourne said ... (11:21 PM, December 09, 2010) : 

Classical music is the art music produced in, or rooted in, the traditions of Western liturgical and worldly music, encompassing a broad period from roughly the 11th century to present times. The central norms of this tradition became codified between 1550 and 1900, which is known as the common practice phase.

 

Blogger Eloy said ... (6:38 AM, April 16, 2011) : 

I saw your page and I find it very interesting. I like that you included my blog under the heading of favorite blog is dedicated to collecting the best pianists in history, with links to live performances and links to his biography.
If you agree, just leave a comment in any of my posts, and I will include it to you.
My blog is:

www.pianistasdelmundo.blogspot.com

Thank you very much for your time.

 

Blogger The Scholtes-Janssens Piano Duo said ... (6:06 PM, May 08, 2012) : 

Great! They were also in Holland last year on a festival. Thanks for posting. I'm actually writing about piano music myself. Mostly about my piano duo :)
http://scholtesjanssens.blogspot.com/
Keep up the nice work!

 

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Friday, February 02, 2007

Gian Carlo Menotti Passes Away at 95


As someone who has had the privilege of recently enjoying the Spoleto Festival in Charleston, SC, I figured I would write a little about Gian Carlo Menotti who passed away yesterday.

Gian Carlo Menotti was born in Cadegliano-Viconago, Italy on July 7th, 1911. Menotti began writing songs when he was only 7 years old. He wrote a full opera, The Death of Pierrot, including the libretto, when he was only 11! He began formal training in 1923 at the Verdi Conservatory in Milan.

After his father died, Menotti came to America with his mother where he enrolled at the Curtis Institute of Music in Philadelphia alongside fellow students such as Leonard Bernstein and his future partner, Samuel Barber. Menotti would later go on to teach at Curtis, also.

While at Curtis, Menotti wrote his first mature opera among the many to follow called Amelia goes to the Ball to his own text. He wrote the libretti for all his operas. His first full-length opera, The Consul, was premiered in 1950. For this work, he was awarded the Pulitzer Prize in music.

In 1951, he wrote his most popular work today, Ahmal and the Night Visitors. It is still a tradition at Christmastime. It was the first opera written specifically for television.

Menotti founded the Festival of Two Worlds in Spoleto, Italy in 1958. He would later go on to found its counterpart here in the United States, Spoleto Festival USA, in Charleston, SC in 1977. In 1993, Menotti took the top post at the Rome Opera. He passed away Thursday, February 1st, 2007, in Monte Carlo with family at his side.

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Comments on "Gian Carlo Menotti Passes Away at 95"

 

Blogger Music Eloquence said ... (7:12 PM, July 16, 2008) : 

I've been missing your posts.

 

Anonymous sound equipment rentals said ... (5:28 AM, January 05, 2011) : 

We all be familiar with there are those who love classical music, those who kind of like it and those who don’t enjoy it. If you find yourself in the second or third group, I think you should watch this sound system rental.

 

Anonymous mp3 for meditation said ... (11:30 PM, December 15, 2011) : 

Music will give you a longer life. Especially musicians I suppose. I am surprised he reached that age.

 

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Thursday, January 12, 2006

Mozart's Music Diary Goes Interactive


Ok. I know. I've been posting way too much about Mozart lately! I just can't help it. I'm sorry.

This is certainly worthy of a post, though!!!

I just found out that Mozart's "Verzeichnis aller meiner Werke" is now available in a super high-tech format to browse for free at the British Library's website.

This is a journal that Mozart himself kept with a chronology of his composed works and a short thematic example for each. However, only Kochel Nos. 459 - 623 are contained within its pages.

The presentation of the catalogue is simply remarkable. A job well done by the British Library! A Macromedia Shockwave application, you can turn the pages yourself, zoom in with a magnifying glass, listen to the audio excerpt, read a text description of each page and listen to audio commentary on each entry as well. Probably the coolest feature of all is when you have a section of text magnified with the magnifying glass, you can hit a button called "transcription" and by sheer magic, Mozart's flowery handwriting turns into something much, much more legible. Brilliance!!!


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Comments on "Mozart's Music Diary Goes Interactive"

 

Anonymous Anonymous said ... (3:10 PM, January 17, 2006) : 

another source for Top-40 classical music. when I turn on the radio, all I hear is Mozart, Beethoven, and Bach. things that have been over-represented for centuries.

why don't you cover some classical music that NEEDS exposure??????

for instance, obscure medieval monks that wrote amazing pieces, or great 20th century composers like Georgy Ligetti?

 

Anonymous Anonymous said ... (9:35 PM, April 01, 2006) : 

"...great 20th century composers like Georgy Ligetti?"

I haven't yet heard anything by György Ligeti that would classify him as a "great 20th century composer". How about "great 20th century noise maker"?

 

Anonymous instruments blog said ... (11:56 AM, June 13, 2006) : 

hello, cool blog you have. i always enjoy stopping by to see what's new! i finally started up my own blog, and added a link to you on my "blogroll". i'd really appreciate a link back from your blog...but in any case, keep up the good blogging!

 

Blogger Ashley said ... (12:33 PM, November 29, 2006) : 

Great Blog, you are doing a good job. Swing by mine, check it out, leave a comment or sign my guestbook

 

Blogger Rose Ly said ... (8:13 PM, March 19, 2010) : 

wow, looks really impresive! and it's a really good idea from the british library

 

Anonymous sound equipment rentals said ... (12:45 AM, December 21, 2010) : 

This species mimics human speech when stimulated to do so by an interactive modeling technique in which a parrot must struggle for the attention of two humans engaged in conversation.

 

Blogger Gno said ... (10:38 AM, January 18, 2011) : 

Incredible!

 

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Monday, January 02, 2006

Mozart's Greatest Work: Clarinet Concerto in A Major, K. 622

Well, I'm back from a long break. First off, I want to wish everyone a very happy new year!! Not only is it a new year, but it is a "Mozartean" new year. That's right, in case you haven't heard, 2006 will mark Mozart's 250th birthday. So be prepared to hear about Mozart quite a lot.

Speaking of Mozart, I just came across the results from a poll conducted by Classic FM asking users what they felt was Mozart's greatest work. About 103,000 users responded and their top choice: the Clarinet Concerto in A major, K. 622. This was followed by the Requiem, the Ave Verum Corpus, the Piano Concerto No. 21, and The Marriage of Figaro.

Mozart wrote the Clarinet Concerto, his last instrumental work, in October of 1791, only two months before his untimely death. Indeed, Mozart was a major factor in helping to establish a solid place for the clarinet in the orchestra. Mozart's love of the clarinet developed during the time he spent in Mannheim in 1777 and 1778. His admiration of the instrument grew even more when he met the brothers Anton and Johann Stadler in Vienna who were both virtuoso clarinetists.

Mozart was so impressed with Anton's playing that he wrote not only the Clarinet Concerto for him, but also the Piano and Wind Quintet, K. 452, the Clarinet Trio, K. 498, and the Clarinet Quintet, K. 581.

The concerto has only a quiet orchestral background allowing the clarinet to truly shine. Instead of oboes, Mozart decided to score the work with flutes along with 2 bassoons, 2 horns and strings. However, an interesting aspect of the concerto is that Mozart gave the bass line primarily to the cellos without the support of the double basses. This increases further the serenity of the work.

Mozart's writing for the clarinet proves that he truly understood the instrument fully exploiting it to its true potential without showy cadenzas or virtuosity for its own sake. In the concerto, some of the best cantabile passages ever written for clarinet can be found.

A sense of sorrow is ever present throughout the concerto not only in the Adagio, but also in the other two movements as well suggesting that Mozart may have foreseen his approaching fate. Perhaps H. C. Robbins Landon described the concerto best in his use of a quote from Shakespeare: "The heart dances, but not for joy."

From: [BBC NEWS | Entertainment | Mozart clarinet piece tops poll ]

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Comments on "Mozart's Greatest Work: Clarinet Concerto in A Major, K. 622"

 

Anonymous Anonymous said ... (9:34 PM, January 02, 2006) : 

I love your website. I have great appreciate for music and art..

I decided to dedicate a blog on music.

Would love to share the love of music with everyone! Hope to be in touch
more.

Hope you will like my website too.

Elvin
Music, The Flower of Culture
http://www.elvinsiew.com

 

Anonymous Marcia said ... (8:55 AM, January 15, 2006) : 

Hello there....just stumbled across your site while out and about in the blogosphere. I do agree that the Clarinet Concerto is great...fabulous even...but my vote has to go to K407, the Horn Quintet. It is by far Mozart's most delicate writing for horn. Love, love, love it.

I'll pop back for a visit sometime.
That British Library project is amazing!

 

Anonymous Marcia said ... (9:00 AM, January 15, 2006) : 

Hello, me again. Seems I don't know my own url. Let me try that again. Sorry!

 

Anonymous Anonymous said ... (3:47 AM, August 05, 2006) : 

helloooo, did everyone forget the greatest piece of music of ALL time?

that would be, of course, the fourth movement of the jupiter symphony, hands down.

 

Blogger Jeff said ... (11:19 PM, July 22, 2009) : 

Yes I agree with anonymous!! Jupiter Symphony Mvt. 4 all the way!!!! God speaking to Mozart.

 

Anonymous Jose said ... (7:13 AM, September 16, 2009) : 

i love the content on you blog. Great articles!
http://shtarticles.blogspot.com/

 

Anonymous DJ equipment said ... (6:42 AM, January 17, 2011) : 

Great post! It was also one of Mozart's final completed works, and his final purely instrumental work. The concerto is remarkable for its flimsy interplay between soloist and orchestra, and for the lack of overly extroverted display on the part of the soloist.

 

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Thursday, December 15, 2005

Lebrecht Says Too Much Mozart Makes You Sick

Norman Lebrecht from La Scene Musicale has thoroughly discredited himself and, also, caused an outcry of outrage on message boards and blogs all over with his recent article entitled "Too much Mozart makes you sick."

Lebrecht shows that he is completely unfamiliar with the works and history of Wolfgang Amadeus Mozart. His article is full of inaccuracies. He goes as far as to state that Mozart's music is "lively, melodic and dissonance free." Has he only listened to Eine Kleine Nachtmusik?!? I'd love to know how few of Mozart's works Mr. Lebrecht has heard to make such a blanket generalization. After all, Mozart wrote a string quartet that is called the "Dissonance quartet!"

Even more outrageous is Mr. Lebrecht's statement that Mozart "failed to take music one step forward." What a preposterous thought! Mozart excelled in every form of music he tried his hand at. For instance, he practically invented the Piano Quintet. His combinations of instruments and expirementation with various forms of music were extremely unique and carried an enormous amount of influence on to future generations of composers.

Mr. Lebrecht appears to hold Haydn in high regard saying that he "
invented the sonata form without which music would never have acquired its classical dimension." Well, Mr. Lebrecht, did you know that Haydn himself said that Mozart was the greatest composer known to him and that Mozart had the most profound knowledge of composition. Could Haydn have not known what he was talking about, Mr. Lebrecht?!

Apparently, Mr. Lebrecht has only given the music of Mozart a very shallow, surface listening at best. He claims that "
Mozart merely filled the space between staves with chords that he knew would gratify a pampered audience. He was a provider of easy listening, a progenitor of Muzak." Completely false!! Perhaps that is the beauty of Mozart's music. Many times the most simplistic sounding passages hold much more complexity than the listener actually realizes only to be discovered upon closer inspection. If Mr. Lebrecht would have done his research, he would know that much of Mozart's music was considered by audiences who first heard it to be too complex and contain too much dissonance. Mozart did not "pamper" the audience, and felt that it would be a disservice to his art to do so!

Lebrecht mentions Dmitri Shostakovich saying that he is
"a composer of true courage and historical significance." Sure, Shostakovich was a true talent, but to say that he has more "historical significance" than Mozart?!? Lebrecht has leaped off the cliff of absurdity and has fallen flat on his face with his crazy assertions.

However, Lebrecht saves his most shocking statements for last saying that "
Mozart has nothing to give to mind or spirit in the 21st century. Let him rest." I think you should give it a rest, Mr. Lebrecht! Perhaps you wrote this article with the intention of shocking readers and taking an opposite stance to almost every musicologist, philosopher or previous composer that ever lived. For you would be hard pressed to find any composer that did not regard Mozart as the supreme figure of musical history.

Certainly, you have garnered a lot of attention for yourself. However, I bet this wasn't the kind of attention you wanted. You have discredited yourself in my eyes and in those of pretty much every other reader who knows anything.

Thus, Mr. Lebrecht, my stance is that Mozart will have plenty to give to the mind and spirit in the 21st century whereas you have nothing but nonsense and ignorance to contribute. So perhaps you are the one who should be "left to rest."


Other reactions can be found at:
Classical Watch
The Mozart Forum
The Classical Music Guide Forums


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Comments on "Lebrecht Says Too Much Mozart Makes You Sick"

 

Anonymous ap said ... (10:33 AM, December 16, 2005) : 

Thanks for helping bring attention to this article, and getting others to express their feelings to Lebrecht's editor.

 

Anonymous Jennifer Grucza said ... (11:54 AM, December 16, 2005) : 

Piano quintet? I didn't know Mozart wrote any piano quintets. Oh, unless you mean with wind instruments. I guess technically they're piano quintets too.

Sounds like he was trying to stir up controversy (I haven't actually read his article). It's a shame, though, if it discourages newcomers to classical music - either by causing them to avoid listening to Mozart, or to doubt their own ears when they love his music.

By the way, I think you can't get much better than the Mozart string quintets.

 

Anonymous audio visual hire melbourne said ... (2:06 AM, January 22, 2011) : 

Great article. Thanks for keep me notify with this gorgeous news. I agree with the guy. I don't know anyone who is 'stirred' by Mozart's Classical Elevator Music. And don't get me started on playing the stuff. I enjoyed my finger excercises more than learning a new Mozart.

 

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Wednesday, December 14, 2005

Gyorgy Sandor Passes Away At 93


Gone is another of the world's best pianists. Gyorgy Sandor died at the age of 93 from heart failure at his home in Manhattan.

Sandor was a pupil of Bela Bartok and one of the biggest champions of the Hungarian composer's works. He also studied composistion with Kodaly at the Liszt Academy of Music in Hungary. He settled in the United States after his Carnegie Hall debut in 1939.

He had a wide repertoire, but his best recordings were those of Bartok, Kodaly and Prokofiev. In 1965, he won the Grand Prix du Disque for his recordings of the piano music and concertos of Bartok. He premiered many of the works of Bartok including his Piano Concerto No. 3.

He was also an influential teacher, having taught at Southern Methodist University, University of Michigan at Ann Arbor and Julliard.

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Tuesday, December 13, 2005

Classical Music and Cardio?


When I go to the gym, I usually just listen to whatever they are playing no matter how bad it is because I'm too cheap to buy an mp3 player. I do wonder though what I would listen to if I did have one. I love Classical Music, obviously, but I wonder what kind of workout companion it would be.

The Well-Tempered Blog highlights an article about just that.

The article, written by Wayne Lee Gay for the Star-Telegram gives some prime examples for music to listen to while exercising. The focus is on what is good to listen to while doing cardio.

You'll find at the top of the list Rachmaninoff's works for piano and orchestra, a fine suggestion in my book! Other suggestions for cardio include Elgar's Introduction and Allegro for Strings, J.S. Bach's keyboard concertos, Ernest Bloch's Concerto Grosso No. 1 for Piano and Strings, and Howard Hansen's symphonies.

He also gives some fine suggestions for music to listen to while doing meditation-based exercises such as Yoga or Tai-Chi. Once again with Rachmaninoff, he suggests the Preludes for piano. Who knew that Rachmaninoff was so conducive to exercising?! Joplin's Piano rags are his other choice.

These all sound like great ideas to me, but what about those who are weightlifting. Probably something dramatic like a Sturm and Drang symphony would be good. Anyone else have any ideas?

[From The Star-Telegram]

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Comments on "Classical Music and Cardio?"

 

Anonymous audio visual hire melbourne said ... (4:48 AM, February 22, 2011) : 

Classical music is the art music fashioned in, or rooted in, the traditions of Western liturgical and secular music, encompassing a broad period from roughly the 11th century to present times.

 

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